(Sunny)," appeared on the soundtrack to Nutty Professor II: The Klumps,Īnd two years later, Musiq released his second album, the spiritual and Musiq's debut album, 2000's Aijuswanaseing, was recorded mostly at Touch Michael McArthur), brought him to the attention of Def Jam Records. Wilhemina's until his management team, Mama's Boys (Jerome Hipps and Music fan, Musiq performed at Philly showcases like the Five Spot and Philadelphia-born Taalib Johnson, aka R&B artist Musiq (Soulchild), Thank God I Found You (Make It Last Remix Edit) Sanctified Girl (Can't Fight This Feeling)ġ2. His first release of the 2010s was The Good, the Bad, the Sexy (2011), featuring four productions from Brandon “B.A.M.” Alexander.
Each one reached the Top Ten of the R&B chart. (2003), Ain't Nothin' Like Me (2007), Joe Thomas, New Man (2008), and Signature (2009) - were solid full-lengths. Despite never achieving that level of sales again, his releases throughout the remainder of the decade - Better Days (2001), And Then. Released as a single in the fall, "I Wanna Know" languished in the lower reaches of the charts until suddenly catching fire in early 2000 the single reached the R&B Top Five in March, setting the stage for Joe's next album, the multi-platinum My Name Is Joe. In 1999, Joe appeared on Mariah Carey's "Thank God I Found You" single (from Rainbow) and caught yet another break from a soundtrack appearance, this time with "I Wanna Know" from The Wood. While All That I Am went platinum, Joe remixed a duet by Tina Turner and Barry White, "Never in Your Dreams" he also produced and wrote for the debut albums of Ideal and Deja Groove. The single "Don't Wanna Be a Player" hit the Top 40, thanks to its exposure on the soundtrack of Booty Call. Joe also appeared on the soundtrack to Don't Be a Menace to South Central While Drinking Your Juice in the Hood, and moved to Jive/RCA for his second album, 1997's All That I Am. He signed to Polygram and in 1993 released his album debut, Everything. While working at a gospel record store and continuing his music education through a local church, he met producer Vincent Herbert and recorded a three-song demo tape. Finally, he traveled to New Jersey, hoping to make connections in the music industry. Joe graduated from high school and continued to sing and write music while working at occasional temporary jobs.
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Influenced early on by gospel stars like the Winans, Commissioned, and Vanessa Bell Armstrong, Joe grew to love soul legends Stevie Wonder and Marvin Gaye plus contemporary stars Bobby Brown and Keith Sweat. A native of Georgia, Joe later moved to Opelika, Alabama since he was the son of two preachers, he spent much time in church singing, playing guitar, and even directing the choir. Joe is an accomplished vocalist of smooth and sultry R&B productions with occasional hip-hop beats, and his extensive background in gospel music has allowed him to produce his albums as well as sing on them. Please Don't Change The Chords Of This Song Song Contest, Silver Convention's popularity quickly faded, and by theĠ9. "Telegram," proved a success that same year in the annual Eurovision McLean - who began appearing publicly under the Silver Conventionīanner they were featured on the follow-up, "Get Up and Boogie (That's Singer and wife of guitarist Richard Thompson), Ramona Wulf, and Penny Vocalists - Linda Thompson (not to be confused with the same-named After topping the AmericanĬharts with "Fly Robin Fly," Levay and Kunze recruited a trio of
Silvester Levay and Michael Kunze, debuting in 1975 with the LP Save MeĪnd scoring a U.K. Germany-based ensemble Silver Convention was formed by producers Best remembered for their disco smash "Fly Robin Fly," the Munich,
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